Interpol - No I In Threesome Lyrics and Video
No I In Threesome by Interpol, Music Video, Lyrics and Review
No I in Threesome is a song by New York City-based indie rock band Interpol and is the second track on the band’s third album, Our Love to Admire. The song is the second radio single in the US, and is set to be the third single in the UK, with a release date of December 3, 2007. The video is directed by Patrick Daughters and was filmed in London, England at Black Island Studios.
Interpol - No I In Threesome Lyrics
Through the storms and the light
Baby, you stood by my side
And life is wine
But there are days in this life
When you see the teeth marks of time
Two lovers divide
Sound meets sound, babe
The echoes the surround
And know that we need is one thing
Now what is there to allow?
Babe, it’s time we give something new a try
Oh, alone we may fight
So, just let us be free
And baby tonight
I see your lips are on fire
And life is wine
Now the windows are open the moon is so bright
There’s no one can tell us what love brings, you and I
Sound meets sound, babe
The echoes they surround
And know that we need is one thing
Now what is there to allow
Babe, it’s time we give something new a try
Oh, alone we may fight
So just let us be free, tonight
Through the storms and the light
Baby you stood by my side
And life is wine
You feel the sweet breath of time
It’s whispering, its truth not mine
There’s no I in threesome
And I am all for it
Babe, it’s time we give something new a try
Oh, alone we may fight
And feathers bend like trees in the moonlight
Babe, it’s time we give something new a try
Oh, alone we may fight
So just let us be free tonight
Interpol - No I In Threesome Song Info
Released December 3, 2007
Recorded Electric Lady Studios, New York City
Genre Post-punk revival
Length 3:50
Label Capitol Records
Producer Rich Costey, Interpol
Interpol - No I In Threesome Review
Over the past five years the four dapper dons of Interpol have jumped from being New York local favorites to a globally respected band. They’ve accomplished this feat with a hardnosed work ethic - treading the boards of hundreds of venues, from Tampa to Tokyo - a flair for the dramatic, and two rapturously received albums of dark and deeply melodic rock (2002’s Turn On The Bright Lights and 2004’s Antics). They’ve graced magazine covers, inspired countless imitators, earned themselves Short List Award nominations, and enjoyed a rare kind of commercial success that has not once infringed on their effortless enigmatic quality. Every step they took seemed gradual, organic, and wildly successful.
Although they are renowned for producing their own albums, as the songs began to stockpile, the band chose to bring on noted producer and mixer Rich Costey to co-produce. They clicked immediately, with Costey automatically understanding their language and able to help them expand the sound of the new songs.
source contactmusic.com
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